Konzert / Folk, Experimental & Roots Milkweed

Support: Hannah Ida + Sensu (DJ set)
Congés Annulés 
Ticket
Congés Annulés 
Foto 1: Zwei Menschen auf einem sehr alten Friedhof verbergen ihre Gesichter in ihren Mänteln.
Foto 2: Porträt von Hannah Ida in einer schwarzen Lederjacke vor dunkelrotem Hintergrund. Sie hält einen elektronischen Controller in den Händen.
Foto 3: Zwei Menschen auf einem sehr alten Friedhof verbergen ihre Gesichter in ihren Mänteln.
Foto 1: Zwei Menschen auf einem sehr alten Friedhof verbergen ihre Gesichter in ihren Mänteln.
Foto 2: Porträt von Hannah Ida in einer schwarzen Lederjacke vor dunkelrotem Hintergrund. Sie hält einen elektronischen Controller in den Händen.
© foto 1: Milkweed / foto 2: Julia Schwarzer © foto 1: Milkweed / foto 2: Julia Schwarzer

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Milkweed describe their sound as slacker-trad, which is both true and somehow insufficient. They’ve refined a formula: taking existing source material (a folklore journal, a book on Welsh myths, another on bronze age human remains), cutting up the words and feeding them through a woodchipper of lo-fi production and experimental folk music.

Milkweed follow the rich creative line that runs between British traditional music and the songs and tunes of the eastern United States. But their scope is global and rooted in deep time, and their music ricochets between bewitching folk music and disconcerting hauntological experimentation.

For fans of:

Tristwch y Fenywod, Moin, Gwenifer Raymon

Videoausschnitt aus Exile of the Sons of Uisliu

« This is ace: Milkweed dare to mess with tradition in a rugged recital of ancient Irish myths for London’s Broadside Hacks. Not your usual folk fayre, they reset verse as crumbling paeans with smudged, neck-snap beats to somehow resemble a mix of Express Rising’s instrumental knocks or even Universal Veil’s offbeats, creaking Cajun music, and even Thai molam to our ears. »
— boom​kat​.com, 2025

Luxembourg-born, Vienna-based singer-songwriter Hannah Ida was sixteen when she bought an old flea-market guitar. Through it, she found her voice — and a passion for writing about contemporary conflicts and life’s quiet, simple beauties. Over the years, she has mastered the art of the stripped-down performance, pairing acoustic guitar and vocals with modern experimentation like arpeggiator sounds and retro synthesizers.