SUBLIME FREQUENCIES is a collective of explorers dedicated to acquiring and exposing obscure sights and sounds from modern and traditional urban and rural frontiers via film and video, field recordings, radio and short wave transmissions, international folk and pop music, sound anomalies, and other forms of human and natural expression not documented sufficiently through all channels of academic research, the modern recording industry, media, or corporate foundations.” — Sublime Frequencies mission statement.
OMAR SOULEYMAN is a musical legend from Syria. For the past 15 years, he and his group have emerged as a staple of folk-pop throughout the country, having issued more than five-hundred studio and live-recorded cassette albums which are easily spotted in the shops of any Syrian city.
This is a rare opportunity to glimpse into Syrian street-level folk-pop – a phenomenon seldom heard in the West in this form, and rarely, if ever, included on the import agenda of worldwide academic musical committees. Experience the genuine sounds of Syria and the Middle East without the condescending polish and shine of much exported “world beat”. GROUP DOUEH are led by the enigmatic guitar hero Bamaar Salmou, who is known simply as ‘Doueh’ (pronounced : ‘Doo-way’). They are from Dakhla, in the Western Sahara. The group’s sound is unlike anything that you’ve ever heard before. It is a sound that is rooted in the traditional foundations of Sahrawi/Hassania music, but one that is also entirely its own. It shares its roots with the neighbouring styles of Mauritanian music, however Group Doueh have managed to transcend the classical limitations of that music with a fiery, independent, and avant approach that incorporates a distinctly pop and rock element that is anomalous in the region. This is a sound that can only come from the land that inspired it. This is the sound of the Sahara desert. It is a searing, meditative, and hypnotic modal sandstorm of note clusters that has been cathartic to anyone who has heard it.
This is a rare opportunity to glimpse into Syrian street-level folk-pop – a phenomenon seldom heard in the West in this form, and rarely, if ever, included on the import agenda of worldwide academic musical committees. Experience the genuine sounds of Syria and the Middle East without the condescending polish and shine of much exported “world beat”. GROUP DOUEH are led by the enigmatic guitar hero Bamaar Salmou, who is known simply as ‘Doueh’ (pronounced : ‘Doo-way’). They are from Dakhla, in the Western Sahara. The group’s sound is unlike anything that you’ve ever heard before. It is a sound that is rooted in the traditional foundations of Sahrawi/Hassania music, but one that is also entirely its own. It shares its roots with the neighbouring styles of Mauritanian music, however Group Doueh have managed to transcend the classical limitations of that music with a fiery, independent, and avant approach that incorporates a distinctly pop and rock element that is anomalous in the region. This is a sound that can only come from the land that inspired it. This is the sound of the Sahara desert. It is a searing, meditative, and hypnotic modal sandstorm of note clusters that has been cathartic to anyone who has heard it.